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1
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2
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3
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4
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- The Performance window
- The Stage
- The Studio
- The Score
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5
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6
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7
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8
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9
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10
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11
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- Pick a dancer
- Set a movement sequence
- Adjust the timing
- Change the dancer’s alignment
- Add port de bras
- Performance!
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12
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- Launch DanceForms 1.0
- Add a Female Ballet dancer figure using the Figure menu
- Save the new piece as “My jump combination”
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13
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- Open a basic jump sequence
- File menu > Open > BalletDictionaryE folder > ChangementsE >
Open
- Play this
- Select frames 65 – 101 in the Score window
- Copy those frames
- Paste onto the Score of our dancer
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14
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- Type counts under each landing position on the score….
- At frames 11, 19, 27 and 35
- Speed up the jumps by increasing the frame rate from 8 to 12
- Add metronome beats at 1.5 bps or 90 bpm
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15
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- Change the dancer’s facing from en face to croisé
- Select frame 1 in Score and change angle to -40
- Do this again for the final frame (37)
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16
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- We will add head and arm movements
- File Menu > Open….>BalletDictionaryE folder > PortDeBrasE >
Open
- Look at this performance
- Select frames 4 – 16 on the Score and Copy
- Paste only head and arms to the Score for our piece (frames 1 – 37)
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17
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- Use the render process to create
the Performance
- Enjoy!
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- This simple example shows the power available when DanceForms is
combined with the rich content in Ballet Moves II
- There is an opportunity to do much more in the Workshops run by Marion
Bastien following this Conference (8 – 12 August 2004)
- To see a a less conventional example let’s look at the animation Rhonda
created of Danny Grossman’s solo from his Curious Schools of Theatrical
Dancing
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19
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- tom@sfu.ca
- rsryman@healthy.uwaterloo.ca
- www.danceforms.com
- www.dcd.ca
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20
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21
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- Kevin Yang
- DigiVision Corp
- kevin@truespace.com.tw
- 886-2-27310270
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